
Clay head of Samer from a weekend sculpting course at Edinburgh Sculpture Workshop with Duncan Robertson.

artist

Sketch, Ruby Bay, Elie.
Below the rocks the sea slaps, slips over bronze bladderwrack . The wind is picking up and the sea responds, churning itself round the small bay, dashing into the smallest of gaps, salt floats high in the air, curing this landscape like a memory. A startling white gannet glides past heading east to the Bass Rock.

The trees have a heavy dark green velvet curtain feel to them, as if they are being pulled open and shut in the cool wind that blows in from the Tay. They are starting to reach the end of their fullness, too tired to keep their youthful hue . Cows daunder on the fields edge and behind, Normans Law, rising to such a view it is worth the climb – north, south, east, west – river, mountain, tree. An ancient history here sings the yellowhammer and wren while the yew trees in the churchyard shift their weight in response, a dance for what its worth, a memory of younger times.




Just to let you know that if you fancied grabbing a copy of the book to accompany the exhibition then do please got in touch. the price is £20 plus £2 postage.
You can email me at dominiquecameron3@gmail.com and we can arrange a copy to be sent.
Also, theres a great review of the show from arts journalist Jan Patience on her substack site – airts and pairts, if you were able to take a look 🙂
Thanks
Dominique x